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Lidia Vianu - Director of CTITC (CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT), Bucharest University, Professor of Contemporary British Literature at the English Department of Bucharest University, Member of the Writers’ Union, Romania.

 

 
 
 
 
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CTITC

CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT
CENTRUL PENTRU TRADUCEREA SI INTERPRETAREA TEXTULUI CONTEMPORAN

 

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 TRANSLATION CAFÉ 


 

MTTLC
MA Programme for the

TRANSLATION OF THE CONTEMPORARY LITERARY TEXT

Review of Contemporary Texts in Translation and E-Learning

 

 

 

Brian Docherty

World View

Boredom rusts my mouth, shrivels my tongue.
The food never varies; I mark off my days
by the menu I have never been offered.
The supplements announce who is on duty.

I can smell my own body, the drains,
boiled vegetables, leather and dogs.
The man who hung himself 20 meals ago is
still with us, a wreath of quicklime.

My skin, my clothes, this floor, these walls, are
all I have touched for too long.
A book, a woman’s skin, a glass of wine, are
things I have given up longing for.

All night I hear men moaning, pipes banging,
lorries and trains in the distance.
If I had a watch, I could set it by them. In
the early hours they stop for a while.

The high window is a wonky camera
framing birds, clouds, kites, planes.
I never see other people except through
the smoky mirror of memory.

 

 

 

 

 

 

 

 

Violeta Mitu

Brian Docherty

Vedere spre viata


Mi-e gura ruginita de plictis, limba mi s-a-ncretit.
Mananc mereu acelasi lucru ; marchez zilele
dupa meniul care nu mi s-a oferit vreodata.
Suplimentele imi dau de stire cine e de serviciu.

Simt mirosul propriului meu trup, al canalizarii,
miros de legume fierte, de piele si caini.
Barbatul care s-a spanzurat cu 20 de mese-n urma
e inca aici, o coroana de var nestins.

Pielea mea, hainele mele, podeaua si aceste ziduri sunt
tot ce am atins de prea mult timp.
Am renuntat demult sa mai tanjesc
dupa o carte, o femeie si un pahar de vin.

Cat e de lunga noaptea se-aud barbati gemand, batai in teava,
camioane si trenuri ce huruie in departare.
Dac-as avea un ceas, mi l-as potrivi dupa ele. In
zori toate acestea se opresc pentru o vreme.

Fereastra de sus e o camera foto ce prinde-n unghiuri strambe
pasari, nori, zmee, avioane.
Nu vad niciodata alti oameni, decat
in oglinda fumurie a memoriei.

 

 

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