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Lidia Vianu - Director of CTITC (CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT), Bucharest University, Professor of Contemporary British Literature at the English Department of Bucharest University, Member of the Writers’ Union, Romania.

 

 
 
 
 
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CTITC

CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT
CENTRUL PENTRU TRADUCEREA SI INTERPRETAREA TEXTULUI CONTEMPORAN

 

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 TRANSLATION CAFÉ 


 

MTTLC
MA Programme for the

TRANSLATION OF THE CONTEMPORARY LITERARY TEXT

Review of Contemporary Texts in Translation and E-Learning

 

 

 

Brian Docherty

World View

Boredom rusts my mouth, shrivels my tongue.
The food never varies; I mark off my days
by the menu I have never been offered.
The supplements announce who is on duty.

I can smell my own body, the drains,
boiled vegetables, leather and dogs.
The man who hung himself 20 meals ago is
still with us, a wreath of quicklime.

My skin, my clothes, this floor, these walls, are
all I have touched for too long.
A book, a woman’s skin, a glass of wine, are
things I have given up longing for.

All night I hear men moaning, pipes banging,
lorries and trains in the distance.
If I had a watch, I could set it by them. In
the early hours they stop for a while.

The high window is a wonky camera
framing birds, clouds, kites, planes.
I never see other people except through
the smoky mirror of memory.

 

 

 

 

 

 

 

 

Ileana Botescu-Sireteanu

Brian Docherty

Vedere asupra lumii


Plictisul imi umple gura de rugina, imi opareste limba.
Mancarea e mereu aceeasi. Deosebesc zilele
Dupa meniul ce nu mi-a fost oferit niciodata.
Suplimentele ne instiinteaza cine e de serviciu.

Imi pot mirosi propriul corp, canalizarea,
Legumele fierte, mirosul de piele si caine.
Barbatul care s-a spanzurat acum 20 de mese e inca
Cu noi, un rotocol de var nestins.

Pielea si hainele mele, podeaua si peretii acestia sunt
Tot ce am atins in prea mult timp.
O carte, pielea unei femei, un pahar de vin, sunt
Lucruri la care-am renuntat sa visez.

Noaptea intreaga aud oameni gemand, tevi pocnind,
Camioane si trenuri in departare.
De-as avea un ceas l-as putea potrivi dupa ele. Spre
dimineata se opresc pentru o vreme.

Fereastra inalta e un aparat de fotografiat piezis
Ce incadreaza pasari, nori, zmee, avioane.
Nu zaresc alti oameni decat prin
Oglinda fumurie a aducerii-aminte.

 

 

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