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Lidia Vianu - Director of CTITC (CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT), Bucharest University, Professor of Contemporary British Literature at the English Department of Bucharest University, Member of the Writers’ Union, Romania.

 

 
 
 
 
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CTITC

CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT
CENTRUL PENTRU TRADUCEREA SI INTERPRETAREA TEXTULUI CONTEMPORAN

 

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 TRANSLATION CAFÉ 


 

MTTLC
MA Programme for the

TRANSLATION OF THE CONTEMPORARY LITERARY TEXT

Review of Contemporary Texts in Translation and E-Learning

 

 

 

Brian Docherty

World View

Boredom rusts my mouth, shrivels my tongue.
The food never varies; I mark off my days
by the menu I have never been offered.
The supplements announce who is on duty.

I can smell my own body, the drains,
boiled vegetables, leather and dogs.
The man who hung himself 20 meals ago is
still with us, a wreath of quicklime.

My skin, my clothes, this floor, these walls, are
all I have touched for too long.
A book, a woman’s skin, a glass of wine, are
things I have given up longing for.

All night I hear men moaning, pipes banging,
lorries and trains in the distance.
If I had a watch, I could set it by them. In
the early hours they stop for a while.

The high window is a wonky camera
framing birds, clouds, kites, planes.
I never see other people except through
the smoky mirror of memory.

 

Liviu Martinescu

Brian Docherty

O viziune asupra vietii


Mi-e coclita gura de plictis, limba ca o frunza.
Acelasi menu in fiecare zi: bifez zilele
cu feluri de mancare care n-au sosit.
Suplimentele anunta cine e de serviciu.

Imi miros corpul, sevele iesite,
legumele fierte, pielea de curea, cainii.
Omul spanzurat cu 20 de mese in urma
e tot aici, coronita de var nestins.

Pielea mea, hainele, podeaua, peretii –
numai pe ele le-am atins de-o vesnicie.
O carte, pielea unei femei,un pahar de vin –
la astea am renuntat sa poftesc.

Noaptea toata gem oameni, se ciocnesc tevi,
camioane si trenuri in departare.
Sa am ceas, l-as potrivi dupa ele.La
primii zori se opresc nitel.

Fereastra inalta e un jeg de aparat de filmat
ce prinde pasari, nori, zmee, avioane.
Nu vad niciodata alti oameni decat
prin sticla pacloasa a memoriei.

 

 

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