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Lidia Vianu - Director of CTITC (CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT), Bucharest University, Professor of Contemporary British Literature at the English Department of Bucharest University, Member of the Writers’ Union, Romania.

 

 
 
 
 
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CTITC

CENTRE FOR THE TRANSLATION AND INTERPRETATION OF THE CONTEMPORARY TEXT
CENTRUL PENTRU TRADUCEREA SI INTERPRETAREA TEXTULUI CONTEMPORAN

 

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 TRANSLATION CAFÉ 


 

MTTLC
MA Programme for the

TRANSLATION OF THE CONTEMPORARY LITERARY TEXT

Review of Contemporary Texts in Translation and E-Learning

 

 

 

 

Brian Docherty

World View

Boredom rusts my mouth, shrivels my tongue.
The food never varies; I mark off my days
by the menu I have never been offered.
The supplements announce who is on duty.

I can smell my own body, the drains,
boiled vegetables, leather and dogs.
The man who hung himself 20 meals ago is
still with us, a wreath of quicklime.

My skin, my clothes, this floor, these walls, are
all I have touched for too long.
A book, a woman’s skin, a glass of wine, are
things I have given up longing for.

All night I hear men moaning, pipes banging,
lorries and trains in the distance.
If I had a watch, I could set it by them. In
the early hours they stop for a while.

The high window is a wonky camera
framing birds, clouds, kites, planes.
I never see other people except through
the smoky mirror of memory.

 

 

 

 

 

 

 

 

Daniela Bojica

Brian Docherty
Privelistea lumii


Plictiseala imi incleiaza gura, imi increteste limba.
Mancarea e mereu aceeasi; tin socoteala zilelor
dupa meniul de care n-am avut niciodata parte.
Gustarile anunta cine e de serviciu.

Simt mirosul trupului meu, al scurgerilor,
al legumelor fierte, al pielii argasite si al cainilor.
Omul care s-a spanzurat acum 20 de mese este
inca printre noi, un abur de var nestins.

Pielea mea, hainele mele, podeaua asta, peretii astia, sunt
tot ceea ce ating de prea mult timp.
O carte, pielea unei femei, un pahar de vin, sunt
lucruri la care am renuntat sa mai visez.

Toata noaptea aud oameni gemand, tevi trosnind
camioane si trenuri in departare.
De-as avea un ceas, l-as putea potrivi dupa ele. In
zori de zi se opresc putin.

Fereastra inalta e un subred obiectiv
care prinde pasari, nori, zmee, avioane.
Nu vad niciodata alti oameni, decat prin
oglida fumurie a memoriei.

 

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